Sennelier Latour Fixatif Review
Sennelier Latour Fixative for Soft Pastels, 290g, CAD$27.99 at DeSerres

Not gonna lie, I fear fixatives since the last one I used from Pebeo. This time, I am not fooling around, and went straight for Sennelier Latour soft pastels fixative. In fact, I had high hopes for it. If you wonder whether this works, read on for my Sennelier Latour Fixative review.

I believe this is one of the longest reviews I have posted, so grab a drink and get comfy!

Product Specs for Sennelier Latour Fixative

Sennelier Latour Soft Pastels Fixative label
Sennelier Latour Soft Pastels Fixative label

Sennelier Latour Fixative for soft pastels retails for CAD$27.99 at DeSerres. It is made in France. The volumetric weight of this product is 400ml or 13.5 fl. oz. which is the same size as the Pebeo one, except this one is $9 more.

According to the label this is an alcohol and resin based fixative that dries to a transparent matt finish.

Using The Fixative

This is a typical aerosol spray can, but I find that the strength of the spray is pretty strong, so you can go too heavy handed. According to the instructions, you should apply in several light coats rather than one heavy application. Ironically, because the spray is quite strong, light coats are a bit hard to do! As this Sennelier Latour Fixative review will show, application is key to not ruining your precious pastel artwork.

Testing on 1st Artwork

Clouds using every colour in the set
Clouds using every colour in the set

Too scarred from what happened with the Pebeo fixative, I knew I had to test Sennelier Latour fixative on something I don’t care about if it gets ruined. The clouds I did with the Sennelier soft pastels were perfect for this.

The spray was strong! I barely even pressed the nozzle and the fixative came out very heavy. The same thing happened like it did with the Pebeo fixative: it ran the pastels!

Using Sennelier Latour fixative on Sennelier soft pastels
Using Sennelier Latour fixative on Sennelier soft pastelsUsing Sennelier Latour fixative on Sennelier soft pastels

I was very reluctant to spray this on anything at this point. However, I knew the application was too heavy, so I needed to test the fixative again but with a lighter application. So I busted out this pastel painting I did a while back, and tried to spray in lighter coats.

This was before the fixative:

Sennelier extra soft pastels, Stabilo CarbOthello pastel pencils and Mungyo soft pastels on Pastelmat.
Sennelier extra soft pastels, Stabilo CarbOthello pastel pencils and Mungyo soft pastels on Pastelmat.

I tried my best to control the application and sprayed a bit farther from the painting. The spray still came out pretty strong, but this time it didn’t run the pigment as badly.

Sennelier Latour fixative on Sennelier and Mungyo soft pastels
Sennelier Latour fixative applied on Sennelier and Mungyo soft pastels

It’s interesting to note that the parts where the pigments disappeared after the spray were Mungyo pastels, which also happened with the Pebeo spray. At this point, I suspect the spray wasn’t completely to blame. Some pastels seem to get washed away even with a non-water based fixative!

The Big Test: On a Commission Portrait!

Before Sennelier Latour Fixative application
Before Sennelier Latour Fixative application

I was very nervous about using the fixative on a commissioned piece, but this would be the way to show how the spray worked (or not). I tried my best to mist the portrait in light coats, being extra careful not to drench the portrait.

After the first application of Sennelier Latour Fixative
After the first application of Sennelier Latour Fixative

This portrait had Conte a Paris pastel pencils, Stabilo pastel pencils, Sennelier and Rembrandt soft pastels. The blue (strictly Rembrandt) got washed away, as did a bit of the black around the scarf, which was Conte a Paris. The Sennelier soft pastels stayed mostly intact.

Out of curiosity to see whether I could still work on the portrait after the fixative, I applied some PanPastel in white and a bit of Stabilo pastel pencils before giving it a second application of fixative. Indeed, I was able to work on the painting, unlike the Pebeo fixative, which I could not. I left the blue part as is, as I didn’t mind the texture.

Here is before the second application of Sennelier Latour Fixative:

After first application of fixative and adding back some details
After first application of fixative and adding back some details

Here is after:

After second application of Sennelier Latour Fixative
After second application of Sennelier Latour Fixative

As you can see, very little was lost in the second round of fixative. The PanPastel worked very well with this fixative, and even with Pebeo too.

Overall Sennelier Latour Fixative Review

Sennelier Latour Fixative worked fairly well with soft pastels, with a few exceptions. Though Rembrandt pastels were not hard like pastel pencils, they somehow washed away with the fixative. The harder pastel pencils could come off as well, so you have to be careful what fixative you use with them.

I also wish the spray was a little more gentle and came out like a fine mist, because it is key to not ruining your soft pastel work. Truthfully, I have a love-hate relationship with pastel fixatives, because I find that no matter what you use or how light handed you are, you will lose a bit of the pigment. However, it is a necessary evil when it comes to commissioned work, as you don’t want your customer to accidentally touch the portrait and smear it.

5 Comments

  1. avatar

    Your fixative comments are very helpful I wonder if you’ve tested Krylon Preserve I?. Said to be both finishing and workable. I wonder whether your work is lying flat or taped to a wall when you do it?
    I have heard but not tried laying the work face up on the ground and spraying upwards so the fix falls gently on the work, like snow.
    Sennelier used to have a pump spray that gave a lot of application control….but can’t find it now.
    What personal protection do you use working with pastels and fix?

    1. avatar

      Hi Jay! Thanks for commenting! 🙂 I have used Krylon before, it was actually my first fixative(I used several ones for different medium). I actually kind of regret getting the Sennelier and Pebeo ones for pastels as the Krylon one was cheaper and works about the same! I usually spray outside and have my artwork lying flat on the ground and spray upwards. It doesn’t give a very even application so I usually go back after a couple of hours and spray again. I am allergic to a lot scents so I cannot spray this indoors. I do run an air purifier in the room when I am working with pastels, and wear gloves. I hear people develop some serious respiratory issues working with some medium so you can never be too careful. 🙂

  2. avatar

    Krylon Preserve It

  3. avatar

    I have become a fan of Sennelier soft pastels and wonder if you have used their spray on them ?
    I wear a N50 mask and Daniel Smith cactus barrier cream on my hands I saw my pastel teacher Eileen Eder yesterday and she mentioned that she used a electrolux vaccuum when she brushed off pastel to keep it out of the air.
    I neglected to tell you how wonderful your work is!
    Look at jaybrightart,com works/structures for progress photos on my moon lake series which is ongoing

    1. avatar

      I love Sennelier soft pastels! They are so good and pigmented, and so buttery. The Sennelier spray works well with the pastels but not with the cheaper brands(like Mungyo), which makes sense lol. I swear the Sennelier pastels practically blend themselves .

      You are so kind! I am just starting out with pastels, but every influencer says don’t wait till you are an expert to start a blog because it takes years to build a following so here I am lol.

      My husband actually bought me a vacuum to suck the air and fumes when I do my art, but it’s a system you need to place the artwork inside which I find too cumbersome.

      Your website is definitely much more professional than mine, bravo! 🙂

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